绪  论                                                                    1 

          一、纪录片文本的多重解释                                        2 

          二、概念的解释                                                  8 

第一章 影像成为意义                                                      13 

          一、作为媒介的影像                                             15 

          二、画面：指意场                                               19 

          三、镜头：指意链                                               31 

第二章 作为支配性指意的声音                                              43 

          一、纪录片的语言风格                                           44 

          二、语言的陈述性特征                                           57 

          三、语言的作用                                                 59 

第三章 影像语言的特点                                                    68 

          一、直观视听形象系统                                           68 

          二、体验式的感性认知                                           77 

          三、多义性的语意                                               82 

第四章 呈现：自然的“表达”                                              91 

          一、影像的意义生成                                             92 

          二、指示意义：“呈现”                                        101 

          三、自然表达的语意群                                          105 

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          四、语意成分配置                                                 115 

第五章 内涵意义：“呈现”的超越                                            126 

          一、可视的影像背后                                               127 

          二、表现过程与创造象征                                           149 

第六章 审美意义：诗化的精神品格                                            164 

          一、创作思维：从现实中感悟美                                     165 

          二、影像操作：创造艺术化的银幕形象                               175 

          三、个案：张以庆的心灵象征                                       195 

第七章 从 “现实的意义”到 “影像的意义”                                  205 

          一、真实是什么                                                   205 

          二、纪录片的真实观                                               213 

          三、影像与再现的真实                                             238 

第八章       纪录片的叙事                                                  252 

          一、叙事视点                                                     253 

          二、叙述行为                                                     260 

          三、叙事类型                                                     262 

第九章 叙事的深层结构                                                      272 

          一、动机：内容核心                                               274 

          二、模式：结构核心                                               294 

第十章 叙事中的文化侵入                                                    299 

          一、纪录片的多重价值取向                                         300 

          二、“仁者人也”的人生境界                                       301 

          三、“爱人修己”的道德完善                                       303 

          四、“中庸和谐”的宽容品格                                       305 

结论                                                                       307 

参考文献                                                                   312 

II        纪录片：影像意义系统